Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.

Yarn Bomb Drop-in Sessions are taking place at Five Points Gallery throughout the spring - free and open to the public of all ages, skills and techniques welcome!

MORE INFO HERE

Fridays (weekly):

1 - 2:30 PM

April 11, 18, 25

May 2, 9, 16, 23, 30

Friday, May 30th, at 7PM, West Hill Two returns to 2nd Home. A fun duo with a great sense of humor. Great music, food, drinks, and fun. Come down and enjoy!

For reservations (encouraged but not required) call 860-238-4500 or email us at momanddad@2ndhomelounge.com

See our complete event list - https://2ndhomelounge.com/events/

Google Street View

https://goo.gl/maps/eC7A4ZDEjenNqzpb6

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2nd Home Lounge

524 Main Street, Winsted

2ndhomelounge.com

Join our mailing list - https://2ndhomelounge.com/email-sign-up/

Paint and sip located above Toothpick on Water Street in Torrington!

BYOB! Painting new types of still life's every week.

All materials included in price

RSVP online

Join us for a night of music and hope as Faith Centers join in a celebration of song. We welcome all to sing along as local groups perform inspiring music to raise your hands and lift up your hearts in an unforgettable night of Friends, Fellowship, and Faith. Featuring locally renowned worship groups “A Revival Sound” and “Muddy Boots.” Proceeds benefit LCT Youth Theatre and the Thomaston Community Pantry. 

Expected run time is 2 hours with a 15 minute intermission

Friday, May 30th at 7 pm

Thomaston Opera House, 158 Main St. Thomaston, CT

General Admission $15

Box Office 860-283-6250

www.LandmarkCommunityTheatre.org

Presented by Steven Parlato

In conjunction with an exhibition of his 16-piece collage series, “They Are Not Disposable,” artist/author and college professor Steven Parlato will offer a program (including audience Q&A) discussing his process and inspiration in creating the series, which depicts 16 Black Americans whose lives were stolen due to racial violence. Part tribute, part call to action, the presentation, featuring Parlato’s poetry honoring those lost, will offer an opportunity for community conversation. If time allows, attendees will be encouraged to write their own poem inspired by an issue--for example, social justice, or the climate crisis--of particular personal relevance. 

Lunch is included.

The Litchfield Farmers Market is one of the few year-round markets in the Connecticut. The weekly Saturday market offers fresh seasonal produce, fruit, berries, herbs, sustainably sourced fish; artisanal cheeses, breads and baked goods, local honey, maple syrup and gifts - all raised, grown or crafted by 15+ local vendors. 

The market occasionally hosts live music and supports non-profits from throughout the Litchfield area.

INDOOR MARKET - November through mid-June (intermittent Saturdays through the winter months -- check the website for dates.) Open Saturdays 10am - 1pm at the Litchfield Community Center located at 421 Litchfield Road, Litchfield, CT.

OUTDOOR MARKET - mid- June through October located at Center School, Litchfield.

• League Runs from June 19- August 8
• 10 Game minimum for each team
• girls and boys entering Grades 5-12 (following the 25-26 School Year)
• Registration Fee: $125 per team
• $50 game fee (Referee Fee: $40 per game per team & Scorekeeper Fee: $10 game per team)
• teams must supply tee shirts to players
• no individual registrations allowed
• mandatory coaches meeting May 31st at 10am at the Torrington Armory (registration and payment will be accepted at the meeting)

Discover what the CNC machine can do in this beginner-friendly workshop! You’ll learn how to create a design in Canva and then program the CNC to engrave it on a wooden picture frame. Frames will be cut after the workshop and can be picked up at the library at a later date.

18+

Registration Required: https://www.gunnlibrary.org/calendar/adult-workshop-engraved-frames/

Date: Friday, July 4

Time: 10:00 a.m.

Location: The Litchfield History Museum

Cost: Free for Members, $10 for non-Members

Registration Requested

Celebrate Independence Day with our popular Heroes of the Revolution Walking Tour on Friday, July 4 at 10:00 a.m. Discover Litchfield's Revolutionary history and how Litchfield's residents young and old contributed to the founding of the nation.

The walk will begin at the Litchfield Historical Society (7 South Street) and lasts approximately 1 hour. Wear comfortable shoes and bring a bottle of water. Walking tours are free for members and $10 for non-members.

Walking Tours are sponsored by Berkshire Alarm

Saturdays in May t 10:30 AM

All Ages Welcome!

Saturday Storytime is BACK! Come to OWL for an all ages storytime in the children's room every Saturday at 10:30 then stay to play. In addition to our puppet theater, wooden blocks, and train set, and dollhouse! We also have an ongoing Scavenger Hunt with fun prizes for winners as well as a special weekly craft for older children. And most importantly come in to browse our collection of print books, Nutmeg nominees, and Wonderbooks!

Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.