Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.

You are invited to Flashes & Fragments - an art exhibit that is a fusion of mixed media, artistic lettering, video & photography. New works by Debra Lill and Kathleen Borkowski combine the beauty of visual storytelling with the expressiveness of hand lettered art. We hope you will join us as we celebrate this new work, created specifically for the Whiting Mills Gallery!

Opening: Thursday, April 24th, 5-7 pm.

Show dates: April 17-June 27

Landscapes: an exhibit of oil paintings by Pete Bergeron.

Connecticut artist Pete Bergeron has been painting since early childhood, inspired by the classic television instruction series "You Are an Artist", hosted by Jon Gnagy. Pete's formal art training began at Paier School of Art in Hamden, CT, studying illustration. Eventually he turned to large scale painting and, like artist James Rosenquist before him, he worked as a billboard painter, creating giant images of hamburgers, beer bottles, cars and other colorful oversized advertisements.

In 1990 he studied with Frank Covino of Waitsfield, VT, learning the Classical Academic approach to painting: a systematic method that begins with a detailed monochromatic under painting superimposed with many layers of thinly applied colored glazes. The resulting effect gives an overall luminous quality to the finished painting. His commitment to fine art was a natural direction that led to a consuming full-time passion for creating lasting and timeless works of art.

Pete’s paintings are reminiscent of the late nineteenth century American landscape painters of the Hudson River School, including John Frederick Kensett, Sanford Robinson Gifford and William Trost Richards, and of the Tonalist painters of that period.

His work hangs in many collections throughout the country.

 “Landscapes” is an exhibition of paintings of unique locations the artist has visited many times, and through the use of strong composition, a wide range of values and a complex layering of color, the artist turns the otherwise commonplace – a crashing wave, the quiet of a passing cloud or the early light of a new day – into moments of awe and inspiration and creates a connection to the eternal beauty and reassuring qualities of Nature.

HOTCHKISS-FYLER HOUSE MUSEUM

Torrington Historical Society 

192 Main Street, Torrington, CT

2025 hours: Wednesday through Saturdays, April 16 - October 31, 2025

Guided tours at 1, 2 and 3 pm 

Phone: (860) 482-8260   info@torringtonhistoricalsociety.org

Admission: Adults $10 per person; children under 8 free

The Hotchkiss-Fyler House Museum (b. 1900) will open for the season Wednesday April 16th. The Hotchkiss-Fyler House Museum is a Victorian mansion that was home to two generations of Torrington residents. Gertrude F. Hotchkiss, the last family member to occupy the home, bequeathed the house and contents to the Society in 1956.  The interior of this grand house features mahogany paneling, ornate carvings, stenciled walls, murals, parquet floors and ornamental plaster treatments. Original family furnishings collections of fine and decorative arts. Artists represented are: Ammi Phillips, E.I. Couse, Winfield Scott Clime and George Lawrence Nelson.

Join local historical costuming enthusiast Abigail Yanaway to...

• Ask questions about 18th century sewing Access resources related to 18th century sewing
• Get help with your own 18th century projects
• Meet other people interested in historical sewing
• Join other historical sewing enthusiasts to work on projects together

Theresa Caputo, widely recognized as the "Long Island Medium," brings her remarkable gift for connecting with spirits to audiences in Torrington. Known for her hit television series, Caputo has captivated millions with her warm, engaging personality and her ability to deliver heartfelt messages from loved ones who have passed on. Her live shows provide an intimate and emotional experience, blending profound spiritual connections with lighthearted humor and genuine compassion.

With numerous best-selling books and a career dedicated to helping others find peace and closure, Theresa Caputo has become one of the most beloved mediums in the world. This event offers a unique opportunity to witness her extraordinary talent in person, as she shares powerful messages that uplift and inspire. Whether you're seeking healing or are simply curious, this show promises to be an unforgettable evening of insight and connection.

More information and tickets at Theresa Caputto Concert.

From Graffiti to Museum Galleries: The Art & Advocacy of Keith

Haring

This is a great Pride Month program! Keith Haring's vibrant and iconic art captured the spirit of 1980s New York City, blending pop art, graffiti, and social activism. What made his bold, energetic figures and symbols so universally appealing? Haring's work, characterized by its simplicity

and accessibility, addressed pressing issues including AIDS awareness. From

subway stations to museums, Haring's art continues to inspire and provoke thought decades after his untimely death.

FREE / Donations Welcome

* Pre-registration is advised

Join us every Friday night from 5-8 in the NHAG studio, at 37 Greenwoods Road, New Hartford CT - Floor 2 #9A for life model drawing. Participants must be 18+ to attend.

registar at nhagct.art or newhartfordartisansguild.com

For over a decade, Theresa Caputo, known worldwide as the Long Island Medium, and star of the new Lifetime Series Raising Spirits, has shared her messages of comfort and healing with more than a million and a half audience members worldwide. Through personal stories about her life and explaining her gift to communicate with those who have passed on, the beloved television personality and best-selling author delivers healing messages to audience members, comforting them with the revelation that their deceased loved ones are still with them– just in a different way.

Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.