Open to all levels of experience, this workshop offers an in-depth exploration of oil painting techniques and traditional still life. Develop foundational painting skills, including glazing and layering oil paints to create luminosity and depth.

Oil Painting: Explorations in Still Life

with Sarah Paolucci

Wednesdays, May 7, 14, 21 & 28, 2025

10 AM – 1 PM

Members: $162 / Non-Members: $180

MORE INFO & REGISTER

Yarn Bomb Drop-in Sessions are taking place at Five Points Arts Center throughout the winter and spring - free and open to the public of all ages, skills and techniques welcome!

MORE INFO HERE

Wednesdays (weekly):

2 - 4 PM

Jan 8 - May 28

Saturdays:

2 -4 PM

January 11 & 25

February 8 &22

March 8 & 22

April 12 & 26

May 10

Join us every Friday night from 5-8 in the NHAG studio, at 37 Greenwoods Road, New Hartford CT - Floor 2 #9A for life model drawing. Participants must be 18+ to attend.

registar at nhagct.art or newhartfordartisansguild.com

Need a laugh? Join author and pop culture historian Marty Gitlin for a funny program about funny programs! Marty will talk about the evolution of sitcoms over the decades, from I Love Lucy to The Big Bang Theory. Test your knowledge of sitcom trivia and enjoy hilarious clips from some of your favorite shows at this fun and interactive program. This program is suitable for teens and adults. Please register @harwintonlibrary.org/events

Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.

On Exhibit in the Jamie Gagarin Gallery: May 25 - July 10

"Impermanence" - Mixed Media

ARTIST STATEMENT:

“My work is driven by experimentation, essential for my growth as an artist. I explore shape, texture, and color using various media, finding inspiration in unexpected materials like rusted metal or beach debris. I create interesting textures with coal, tissue paper, eggshells, and more, utilizing quick-drying acrylics and latex paints for spontaneity. My style blends conceptualism, minimalism, and abstract expressionism, reflecting impermanence and the beauty of contrasts. The seemingly chaotic final result embodies my mind transitioning to calm, capturing fleeting moments before they take shape, free from expectations and regrets.”

ABOUT THE ARTIST: 

Erika Larskaya is an abstract artist who specializes in acrylics and mixed media. Originally hailing from St. Petersburg, Russia, she made the journey to New York City in the late 1980s at the age of 21, eager to learn English and build a new life for herself. After studying design at the American Business and Fashion Institute in Charlotte, North Carolina, she briefly pursued a career as an interior designer. However, her true passion lay in being at home with her children and dedicating time to painting. She began exhibiting her work in 2008. While she has received formal training and appreciates traditional foundational skills like figure drawing, her love for experimentation and pushing artistic boundaries has led her to develop a unique methodology and technique that allows her to express the emotions that are felt but not easily seen. Inspired by other female artists who have overcome adversity and societal challenges, she creates her art from her studio in northwestern Connecticut.

For more information about Erika, visit her website at https://www.erikalarskaya.art/

The Gunn Memorial Library Stairwell Gallery is pleased to present Restoration: Landscapes & Botanical Abstracts in Gouache, an exhibition of beautiful landscapes and botanicals by artist Susan Newbury, on view from April 5 through May 31.

Susan’s work is a celebration of nature’s depth and detail, drawing inspiration from the stunning landscapes, waterscapes, and gardens of her rural New York State roots and her home in Litchfield County. With a background in graphic and fashion design, her artistic practice has evolved into a dynamic exploration of color, pattern, and movement. She works primarily in gouache, acrylic, and mixed media on paper, canvas, and wood panel, using a bright, rich palette to create layered compositions that blend natural elements with abstract forms.

“Nature not only provides the subject matter but the solitude, joy, and purpose for my paintings, creating a place of quiet introspection and restoration,” she says. Her work reflects this philosophy, infusing familiar landscapes with energy and emotion while maintaining a sense of tranquility and balance. Inspired by both the botanical world and interior design elements such as fabric, wallpaper, and tilework, her paintings feature repeating shapes and striking color contrasts for an unexpected visual experience.

Her instinctive approach to painting allows her to let go of the rules, creating compositions that are both structured and free-flowing. She paints in her Litchfield County studio and accepts commission work.

Gunn Memorial Library is located at 5 Wykeham Road at the juncture of Route 47 opposite the Green in Washington, CT. Library hours may be found at gunnlibrary.org.

For more information call (860)868-7586 or email, adoerwald@gunnlibrary.org.

You are invited to Flashes & Fragments - an art exhibit that is a fusion of mixed media, artistic lettering, video & photography. New works by Debra Lill and Kathleen Borkowski combine the beauty of visual storytelling with the expressiveness of hand lettered art. We hope you will join us as we celebrate this new work, created specifically for the Whiting Mills Gallery!

Opening: Thursday, April 24th, 5-7 pm.

Show dates: April 17-June 27

Landscapes: an exhibit of oil paintings by Pete Bergeron.

Connecticut artist Pete Bergeron has been painting since early childhood, inspired by the classic television instruction series "You Are an Artist", hosted by Jon Gnagy. Pete's formal art training began at Paier School of Art in Hamden, CT, studying illustration. Eventually he turned to large scale painting and, like artist James Rosenquist before him, he worked as a billboard painter, creating giant images of hamburgers, beer bottles, cars and other colorful oversized advertisements.

In 1990 he studied with Frank Covino of Waitsfield, VT, learning the Classical Academic approach to painting: a systematic method that begins with a detailed monochromatic under painting superimposed with many layers of thinly applied colored glazes. The resulting effect gives an overall luminous quality to the finished painting. His commitment to fine art was a natural direction that led to a consuming full-time passion for creating lasting and timeless works of art.

Pete’s paintings are reminiscent of the late nineteenth century American landscape painters of the Hudson River School, including John Frederick Kensett, Sanford Robinson Gifford and William Trost Richards, and of the Tonalist painters of that period.

His work hangs in many collections throughout the country.

 “Landscapes” is an exhibition of paintings of unique locations the artist has visited many times, and through the use of strong composition, a wide range of values and a complex layering of color, the artist turns the otherwise commonplace – a crashing wave, the quiet of a passing cloud or the early light of a new day – into moments of awe and inspiration and creates a connection to the eternal beauty and reassuring qualities of Nature.