The Voice of Art's “Fine Art Festival" Returns on Memorial Day Weekend 2025!
- Spring: Sat-Sun, May 24-25, 2025 (10am-5pm)
- Fall: Sat-Sun, Sept 20-21, 2025 (10am-5pm)
- @Sharon Town Green, CT
- Free and Open to the Public
- Fine Art & Functional Art
The Voice of Art is thrilled to invite you to its fifth annual outdoor juried fine art show, “Fine Art Festival" in Sharon on the Green (formerly, Litchfield Art Festival)! This show will be a highlight for collectors and residents from the Tri-State region, New England and beyond. The Litchfield Hills have a history and reputation of featuring top fine artists from across the country, and also many well-known and beloved New England and CT artists who are widely admired by art enthusiasts.
Fine Non-Functional Art:
- Painting
- Sculpture
- Mixed Media
- Digital Art
- Graphics/Drawing
- Printmaking
- Photography
Fine Functional Art:
- Ceramics
- Glass
- Leather
- Fiber/Paper Art
- Wood Works
- Metal
- Jewelry
Food Corner:
- Crepe Royal
- The Tasty Empanada
- Repicci’s Italian Ice & Gelato
- Hoffman Bread
The Voice of Art's "Fine Art Festival" Sharon on the Green
Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.
Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.
Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.
Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.
Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.
Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.
Convert Light Energy
Please join us for the Artsit reception of Frank Rosen , Wood / Art Saturday May 24. 3-6 pm at the Souterrain Gallery of the Wish House acompanied by music , great nibbles and refreshments ; )
“Frank Rosen is a nontraditional woodworker who also uses wood for painting and sculpture. His work moves in different directions: geometric to flowing, flat to textural, colorful to subdued. Surprise and humor are also media in which he dabbles.”
more info at www.souterraingallery.net
Artist Reception - Frank Rosen , Wood / Art
Saturday, May 24th, at 7 PM, 2nd Home welcomes back Orb Mellon with Dave Robbins. Orb Mellon (https://www.facebook.com/orbmellon/) is the blues moniker of Mike Malone, founder and guitarist of the seminal 1990s indie rock band and Sony/Epic recording artists Dirt Merchants. Orb Mellon mines the raw energy of 20th Century American roots music, particularly whiskey fueled house party delta blues. They are one of the most dynamic performers we've had, and we don't use "don't miss" lightly. We are very much looking forward to having them back!
For reservations call 860-238-4500 or email us at momanddad@2ndhomelounge.com
See our complete event list - https://2ndhomelounge.com/events/
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2nd Home Lounge
524 Main Street, Winsted
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Orb Mellon w/Dave Robbins at 2nd Home Restaurant/Lounge
The Voice of Art's “Fine Art Festival" Returns on Memorial Day Weekend 2025!
- Spring: Sat-Sun, May 24-25, 2025 (10am-5pm)
- Fall: Sat-Sun, Sept 20-21, 2025 (10am-5pm)
- @Sharon Town Green, CT
- Free and Open to the Public
- Fine Art & Functional Art
The Voice of Art is thrilled to invite you to its fifth annual outdoor juried fine art show, “Fine Art Festival" in Sharon on the Green (formerly, Litchfield Art Festival)! This show will be a highlight for collectors and residents from the Tri-State region, New England and beyond. The Litchfield Hills have a history and reputation of featuring top fine artists from across the country, and also many well-known and beloved New England and CT artists who are widely admired by art enthusiasts.
Fine Non-Functional Art:
- Painting
- Sculpture
- Mixed Media
- Digital Art
- Graphics/Drawing
- Printmaking
- Photography
Fine Functional Art:
- Ceramics
- Glass
- Leather
- Fiber/Paper Art
- Wood Works
- Metal
- Jewelry
Food Corner:
- Crepe Royal
- The Tasty Empanada
- Repicci’s Italian Ice & Gelato
- Hoffman Bread
The Voice of Art's “Fine Art Festival" Sharon on the Green
Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.
Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.
Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.
Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.
Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.
Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.
Convert Light Energy
The Gunn Memorial Library Stairwell Gallery is pleased to present Restoration: Landscapes & Botanical Abstracts in Gouache, an exhibition of beautiful landscapes and botanicals by artist Susan Newbury, on view from April 5 through May 31.
Susan’s work is a celebration of nature’s depth and detail, drawing inspiration from the stunning landscapes, waterscapes, and gardens of her rural New York State roots and her home in Litchfield County. With a background in graphic and fashion design, her artistic practice has evolved into a dynamic exploration of color, pattern, and movement. She works primarily in gouache, acrylic, and mixed media on paper, canvas, and wood panel, using a bright, rich palette to create layered compositions that blend natural elements with abstract forms.
“Nature not only provides the subject matter but the solitude, joy, and purpose for my paintings, creating a place of quiet introspection and restoration,” she says. Her work reflects this philosophy, infusing familiar landscapes with energy and emotion while maintaining a sense of tranquility and balance. Inspired by both the botanical world and interior design elements such as fabric, wallpaper, and tilework, her paintings feature repeating shapes and striking color contrasts for an unexpected visual experience.
Her instinctive approach to painting allows her to let go of the rules, creating compositions that are both structured and free-flowing. She paints in her Litchfield County studio and accepts commission work.
Gunn Memorial Library is located at 5 Wykeham Road at the juncture of Route 47 opposite the Green in Washington, CT. Library hours may be found at gunnlibrary.org.
For more information call (860)868-7586 or email, adoerwald@gunnlibrary.org.
Gunn Memorial Library Stairwell Gallery: "Restoration: Landscapes & Botanical Abstracts in Gouache" by Susan Newbury
You are invited to Flashes & Fragments - an art exhibit that is a fusion of mixed media, artistic lettering, video & photography. New works by Debra Lill and Kathleen Borkowski combine the beauty of visual storytelling with the expressiveness of hand lettered art. We hope you will join us as we celebrate this new work, created specifically for the Whiting Mills Gallery!
Opening: Thursday, April 24th, 5-7 pm.
Show dates: April 17-June 27