Presented by Imam Gazmend Aga, Monsignor Joseph Donnelly and Rabbi Eric Polokoff 

Join Rabbi Eric Polokoff (Rabbi Eric), Monsignor Joe Donnelly (Father Joe), and Imam Gazmend Aga (Imam Gazi)—affectionately known as The Three Amigos—for a day of interfaith dialogue and spiritual exploration.

For years, these three faith leaders have engaged in meaningful conversations across Connecticut, fostering understanding between Judaism, Christianity, and Islam. Their discussions highlight the deep connections among their traditions and the shared values that unite them.

During this special retreat day, they will explore Faith as a Relationship with God, reflected in and lived through our relationships with others. Through engaging presentations and open dialogue, participants will gain insights into how these three faith traditions approach faith, connection, and community.

The retreat will also include a dedicated time for questions, allowing attendees to interact directly with The Three Amigos and deepen their understanding of interfaith connections.

Well known in the Waterbury region for their interfaith advocacy and engaging discussions at local religious gatherings and the Osher Adult Learning Center at UCONN Waterbury, The Three Amigos bring wisdom, warmth, and a spirit of friendship to their shared ministry.

Join us for a transformative day of learning, dialogue, and connection.

Lunch is included.

Open to all levels of experience, this workshop offers an in-depth exploration of oil painting techniques and traditional still life. Develop foundational painting skills, including glazing and layering oil paints to create luminosity and depth.

Oil Painting: Explorations in Still Life

with Sarah Paolucci

Wednesdays, May 7, 14, 21 & 28, 2025

10 AM – 1 PM

Members: $162 / Non-Members: $180

MORE INFO & REGISTER

Yarn Bomb Drop-in Sessions are taking place at Five Points Arts Center throughout the winter and spring - free and open to the public of all ages, skills and techniques welcome!

MORE INFO HERE

Wednesdays (weekly):

2 - 4 PM

Jan 8 - May 28

Saturdays:

2 -4 PM

January 11 & 25

February 8 &22

March 8 & 22

April 12 & 26

May 10

Culturally Curious Art Lecture Series: Perennial Muses: Flowers in Art

Perennial Muses: Flowers in Art

This is a wonderful program for Garden Clubs!

Have you ever wondered about the hidden messages blooming within famous

paintings? Throughout the history of art, flowers have been more than just beautiful decorations - they've served as powerful symbols, carrying secret meanings known to artists and their patrons. From the purity of lilies in Renaissance Madonnas to the fleeting nature of life represented by wilting bouquets in Dutch still lifes, each petal and stem tells a story. This fascinating exploration of flora in art will unveil the language of

flowers, revealing how these delicate blooms have shaped our visual culture and continue to inspire artists - and flower lovers! - to this day.

Join us every Friday night from 5-8 in the NHAG studio, at 37 Greenwoods Road, New Hartford CT - Floor 2 #9A for life model drawing. Participants must be 18+ to attend.

registar at nhagct.art or newhartfordartisansguild.com

Join fellow opera lovers to view and discuss L'Incoronazione Di Poppea

Running time is approx. 3 hrs and there will be one short interval when coffee will be available.

FREE, Donations Welcome

Join the Stitch 'n Bitch group once a month at the Hotchkiss Library of Sharon. The aim of our stitching group is for members to meet regularly to share skills and ideas, and get to know each other while doing some stitching. 

Kenise Barnes Fine Art is honored to present an exhibition featuring hand-painted cyanotypes by Julia Whitney Barnes and drawings by Sarah Morejohn.

Julia Whitney Barnes is well known for her innovations in Cyanotype (camera-less photographic printing process) paintings. Whitney Barnes’ multi-step process includes harvesting flora (flowers and weeds being equally important) and combining several species into a single composition on photo sensitive cotton paper. After exposing the work to UV light, the resulting blue and white image is carefully hand-painted in many layers of watercolor, gouache, and ink, reanimating the vitality to the ghost of the objects. The artist is most interested in creating work that feels both beautiful and mysterious. Her artwork symbolizes resilience and are the records of the historical moment in which they were made, the process, and the artist’s will and interest in reasserting the presence of the image.

Whitney Barnes recently completed permanent public installations in The Botanist’s Mural, Vassar College/Frances Lehman Loeb Art Center, Poughkeepsie, NY, Brooklyn Botanical: PS 253 (glass commission), Public Art in Public Schools/Percent for Art, Brooklyn, NY, Planting Utopia (interior installation), Albany International Airport, Albany, NY, Planting Utopia (interior and exterior installation), Shaker Heritage Society, Albany, NY. The artist has received the following honors and awards; Maker-Creator Research Fellowship, Winterthur Museum, Library & Garden (2024-25), Individual Artist Grant, (partnering with Shaker Heritage Society), New York State Council on the Arts (2018), Individual Artist Commission, NY State Decentralization Grant, Arts Mid-Hudson, Poughkeepsie, NY (2015), Gowanus Public Arts Initiative Grant (ArtsGowanus, The Old Stone House & District 39), Brooklyn, NY, Residency with Site-Specific Installation & Fellowship, Fjellerup I Bund I Grund, Fjellerup, Denmark, to name a few. Her work has been featured in Architectural Record, Times Union, The B Magazine, The Jealous Curator, Create Magazine, American Art Collector Magazine and many other publications and podcasts. Julia Whitney Barnes earned her BFA Fine Arts, Painting, Parsons the New School for Design, New York, NY and her MFA Fine Arts, Painting & Combined Media, Hunter College, CUNY, New York, NY. The artist lives and works in NY.

Sarah Morejohn’s fascination with non-linear patterns in nature drives her work. Through drawing, she considers how the relationship to nature is mediated both by objective understanding and subjective imagining of it. Considering the symbolic connections between nature, the body, and climate change Morejohn draws partial six-fold symmetries. By building a drawing line by line, sharp angles soften and wiggle, cell-like shapes minnow along while branches and flowers become a part of the flotsam disconnected from the earth. Figurative snow crystals become interlaced with one another and their environment, jumbling towards their own future transformations. Morejohn’s drawing process is intuitive and organic, artifacts of the process, drips, spills, flaws and mistakes are embraced. By collaging the imperfect pieces of her drawings together the work becomes a metaphor for the ever-changing uncertainties of life.

Sarah Morejohn’s work in in the collections of Heustis Hall, 1% for Art Oregon Arts Commission, University of Oregon, Eugene, OR, Echo Laboratory, Montefiore Medical Center, Bronx, NY, Ursell Laboratory, Physics Department, University of Oregon, Eugene, OR, Project Art & Medical Museum, University of Iowa Hospitals & Clinics, Iowa City, IA. She was awarded residencies at Jentel Artist Residency, Banner, WY and Playa Art and Science Residency, Summer Lake, OR. Morejohn earned her BFA in Painting and Drawing, University of Oregon, Eugene, OR. The artist lives and works in CA.

Please contact Lani Ming Holloway, Associate Director, Lani@kbfa.com, 860 560 3085 with inquires or to arrange a preview of the exhibition.

Meeting will be held in the Jamie Gagarin Community Room

Book to be discussed:

Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow 

by Henry Louis Gates, Jr.

The abolition of slavery in the aftermath of the Civil War is a familiar story, as is the civil rights revolution. But if emancipation sparked "a new birth of freedom" in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? This history moves from the Reconstruction Era to Jim Crow, through to World War I and the Harlem Renaissance. 

Book groups are open to all - books are available to borrow at the library

Meeting in the Jamie Gagarin Community Room

Book to be discussed:

Acts of Forgiveness by Maura Cheeks 

Will the country’s first female president pass the Forgiveness Act, giving Black families $175,000 if they Maura Cheeks are the descendants of slaves? For an ambitious single mother, the bill could be a long-awaited form of redemption. She’s living with her parents and daughter while trying to help run her father’s struggling construction company from going into bankruptcy. Could the Forgiveness Act uncover her forgotten roots while also helping save their beloved home and her father’s life’s work?

Book groups are open to all - books are available to borrow at the library